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Shakespearean Tragedy - Lectures on Hamlet, Othello, King Lear, Macbeth by A. C. (Andrew Cecil) Bradley
page 113 of 619 (18%)
words, for example, as those about the native hue of resolution, or
those about the craven scruple of thinking too precisely on the event.
It is confirmed, also, by the contrast between Hamlet on the one side
and Laertes and Fortinbras on the other; and, further, by the occurrence
of those words of the King to Laertes (IV. vii. 119 f.), which,
if they are not in character, are all the more important as showing what
was in Shakespeare's mind at the time:

that we would do
We should do when we would; for this 'would' changes,
And hath abatements and delays as many
As there are tongues, are hands, are accidents;
And then this 'should' is like a spendthrift sigh
That hurts by easing.

And, lastly, even if the view itself does not suffice, the _description_
given by its adherents of Hamlet's state of mind, as we see him in the
last four Acts, is, on the whole and so far as it goes, a true
description. The energy of resolve is dissipated in an endless brooding
on the deed required. When he acts, his action does not proceed from
this deliberation and analysis, but is sudden and impulsive, evoked by
an emergency in which he has no time to think. And most of the reasons
he assigns for his procrastination are evidently not the true reasons,
but unconscious excuses.

Nevertheless this theory fails to satisfy. And it fails not merely in
this or that detail, but as a whole. We feel that its Hamlet does not
fully answer to our imaginative impression. He is not nearly so
inadequate to this impression as the sentimental Hamlet, but still we
feel he is inferior to Shakespeare's man and does him wrong. And when we
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