enough to a reader. And any reader who may retain a doubt should observe
the fact that, when the Ghost reappears, Hamlet does not think of
justifying his delay by the plea that he was waiting for a more perfect
vengeance. But in one point the great majority of critics, I think, go
astray. The feeling of intense hatred which Hamlet expresses is not the
cause of his sparing the King, and in his heart he knows this; but it
does not at all follow that this feeling is unreal. All the evidence
afforded by the play goes to show that it is perfectly genuine, and I
see no reason whatever to doubt that Hamlet would have been very sorry
to send his father's murderer to heaven, nor much to doubt that he would
have been glad to send him to perdition. The reason for refusing to
accept his own version of his motive in sparing Claudius is not that his
sentiments are horrible, but that elsewhere, and also in the opening of
his speech here, we can see that his reluctance to act is due to other
causes.

The incident of the sparing of the King is contrived with extraordinary
dramatic insight. On the one side we feel that the opportunity was
perfect. Hamlet could not possibly any longer tell himself that he had
no certainty as to his uncle's guilt. And the external conditions were
most favourable; for the King's remarkable behaviour at the play-scene
would have supplied a damning confirmation of the story Hamlet had to
tell about the Ghost. Even now, probably, in a Court so corrupt as that
of Elsinore, he could not with perfect security have begun by charging
the King with the murder; but he could quite safely have killed him
first and given his justification afterwards, especially as he would
certainly have had on his side the people, who loved him and despised
Claudius. On the other hand, Shakespeare has taken care to give this
perfect opportunity so repulsive a character that we can hardly bring
ourselves to wish that the hero should accept it. One of his minor