2

How many things still remain to say of Hamlet! Before I touch on his
relation to Ophelia, I will choose but two. Neither of them, compared
with the matters so far considered, is of great consequence, but both
are interesting, and the first seems to have quite escaped observation.

(1) Most people have, beside their more essential traits of character,
little peculiarities which, for their intimates, form an indissoluble
part of their personality. In comedy, and in other humorous works of
fiction, such peculiarities often figure prominently, but they rarely do
so, I think, in tragedy. Shakespeare, however, seems to have given one
such idiosyncrasy to Hamlet.

It is a trick of speech, a habit of repetition. And these are simple
examples of it from the first soliloquy:

O _God! God!_
How weary, stale, flat and unprofitable
Seem to me all the uses of this world!
_Fie_ on't! ah _fie!_

Now I ask your patience. You will say: 'There is nothing individual
here. Everybody repeats words thus. And the tendency, in particular, to
use such repetitions in moments of great emotion is well-known, and
frequently illustrated in literature--for example, in David's cry of
lament for Absalom.'

This is perfectly true, and plenty of examples could be drawn from
Shakespeare himself. But what we find in Hamlet's case is, I believe,