Shakespearean Tragedy - Lectures on Hamlet, Othello, King Lear, Macbeth by A. C. (Andrew Cecil) Bradley
page 173 of 619 (27%)
page 173 of 619 (27%)
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the courtship; and she joins in a plot to win Hamlet's secret from him.'
One must remember, however, that she had never read the tragedy. Consider for a moment how matters looked to _her_. She knows nothing about the Ghost and its disclosures. She has undergone for some time the pain of repelling her lover and appearing to have turned against him. She sees him, or hears of him, sinking daily into deeper gloom, and so transformed from what he was that he is considered to be out of his mind. She hears the question constantly discussed what the cause of this sad change can be; and her heart tells her--how can it fail to tell her?--that her unkindness is the chief cause. Suddenly Hamlet forces his way into her chamber; and his appearance and his behaviour are those of a man crazed with love. She is frightened--why not? She is not Lady Macbeth. Rosalind would have been frightened. Which of her censors would be wholly unmoved if his room were invaded by a lunatic? She is frightened, then; frightened, if you will, like a child. Yes, but, observe, her one idea is to help Hamlet. She goes, therefore, at once to her father. To whom else should she go? Her brother is away. Her father, whom she saw with her own eyes and not with Shakespeare's, is kind, and the wisest of men, and concerned about Hamlet's state. Her father finds, in her report, the solution of the mystery: Hamlet is mad because she has repulsed him. Why should she not tell her father the whole story and give him an old letter which may help to convince the King and the Queen? Nay, why should she not allow herself to be used as a 'decoy' to settle the question why Hamlet is mad? It is all-important that it should be settled, in order that he may be cured; all her seniors are simply and solely anxious for his welfare; and, if her unkindness _is_ the cause of his sad state, they will permit her to restore him by kindness (III. i. 40). Was she to refuse to play a part just because it would be painful to her to do so? I find in her joining the 'plot' (as it is absurdly called) a sign not of weakness, but of unselfishness and |
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