give it to you for what it is worth. It is this: elementary education
especially needs a literary interpretation. It needs a literary artist
who will portray to the public in the form of fiction the real life of
the elementary school,--who will idealize the technique of teaching as
Kipling idealized the technique of the marine engineer, as Balzac
idealized the technique of the journalist, as Du Maurier and a hundred
other novelists have idealized the technique of the artist. We need some
one to exploit our shop-talk on the reading public, and to show up our
work as you and I know it, not as you and I have been told by laymen
that it ought to be,--a literature of the elementary school with the
cant and the platitudes and the goody-goodyism left out, and in their
place something of the virility, of the serious study, of the manful
effort to solve difficult problems, of the real and vital achievements
that are characteristic of thousands of elementary schools throughout
the country to-day.

At first you will be fascinated by the novelty of your work. But that
soon passes away. Then comes the struggle,--then comes the period, be it
long or short, when you will work with your eyes upon the clock, when
you will count the weeks, the days, the hours, the minutes that lie
between you and vacation time. Then will be the need for all the
strength and all the energy that you can summon to your aid. Fail here,
and your fate is decided once and for all. If, in your work, you never
get beyond this stage, you will never become the true craftsman. You
will never taste the joy that is vouchsafed the expert, the efficient
craftsman.

The length of this period varies with different individuals. Some
teachers "find themselves" quickly. They seem to settle at once into the
teaching attitude. With others is a long, uphill fight. But it is safe