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Craftsmanship in Teaching by William Chandler Bagley
page 14 of 198 (07%)
It is through these that the true craft spirit must find its most
vigorous expression and its only justification. The very corner stone of
schoolcraft is service, and one fundamental lesson that the tyro in
schoolcraft must learn, especially in this materialistic age, is that
the value of service is not to be measured in dollars and cents. In this
respect, teaching resembles art, music, literature, discovery,
invention, and pure science; for, if all the workers in all of these
branches of human activity got together and demanded of the world the
real fruits of their self-sacrifice and labor,--if they demanded all the
riches and comforts and amenities of life that have flowed directly or
indirectly from their efforts,--there would be little left for the rest
of mankind. Each of these activities is represented by a craft spirit
that recognizes this great truth. The artist or the scientist who has an
itching palm, who prostitutes his craft for the sake of worldly gain, is
quickly relegated to the oblivion that he deserves. He loses caste, and
the caste of craft is more precious to your true craftsman than all the
gold of the modern Midas.

You may think that this is all very well to talk about, but that it
bears little agreement to the real conditions. Let me tell you that you
are mistaken. Go ask Röntgen why he did not keep the X-rays a secret to
be exploited for his own personal gain. Ask the shade of the great
Helmholtz why he did not patent the ophthalmoscope. Go to the University
of Wisconsin and ask Professor Babcock why he gave to the world without
money and without price the Babcock test--an invention which is
estimated to mean more than one million dollars every year to the
farmers and dairymen of that state alone. Ask the men on the geological
survey who laid bare the great gold deposits of Alaska why they did not
leave a thankless and ill-paid service to acquire the wealth that lay at
their feet. Because commercialized ideals govern the world that we know,
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