several large vases of baked earth, which were open on one side, and
which were fixed properly near the seats of the audience to receive and
convey the sounds of the instruments and voices of the actors distinctly
throughout the theatre, which had forty-eight arches, eleven behind the
scenes of ten feet wide, three grand arches of fourteen feet wide, and
thirty-one of twelve feet; the diameter was thirty-one canes, and the
circumference seventy-nine; and from the infinite number of beautiful
pieces of sculpture, frizes, architraves, pillars of granite, &c. which
have been dug up, it is very evident that this theatre was a most
magnificent building, and perhaps would have stood firm to this day, had
not a Bishop of _Arles_, from a principle of more piety than wisdom,
stript it of the finest ornaments and marble pillars, to adorn the
churches. Near the theatre stood also the famous temple of _Diana_; and,
as the famous statue mentioned in my former letter was found beneath
some noble marble pillars near that spot, it is most likely _La Venus
d'Arles_ is nevertheless the Goddess _Diana_.

I never wish more for your company than when I walk, (and I walk every
day) in the Elysian fields. The spot is beautiful, the prospect far and
near equally so: in the middle of this ancient _Cimetiere_ stands a
motly building, from the middle of which however rises a cupola, which
at the first view informs you it is the work of a Roman artist; and here
you must, as it were, thread the needle between an infinite number of
Pagan and Christian monuments, lying thick upon the surface in the
utmost disorder and confusion, insomuch, that one would think the Day of
Judgment was arrived and the dead were risen. Neither _Stepney_
church-yard, nor any one in or near a great city, shew so many
headstones as this spot does stone coffins of an immense size, hewn out
of one piece; the covers of most of which have been broken or removed
sufficiently to search for such things as were usually buried with the