the request had ever been 'that they might be able to
live as good subjects, to fear God and honour the King.'

Not only did high officials in London treat Brant with
consideration, but men of learning, as well as of social
position, vied with one another to make his visit
interesting and pleasant. Among those who entertained
him was James Boswell, who knew all the gossip of London
society and was a man of rare talents. He took a peculiar
liking to the bronzed chief of the Six Nations and
persuaded him to sit for his portrait. The Earl of Warwick
also wished to have Brant's picture, and the result was
that he sat for George Romney, one of the most famous
artists of the day. This portrait was probably painted
at the artist's house in Cavendish Square, and we may
accept it as a good likeness of Brant as he appeared at
this time. With head erect, the strong-knit figure of
the chief stands at repose. The eyes are mild and wide-set
and about the lips a smile is playing. In the portrait
we see, too, the resolute heart, the thoughtful mind,
and the restless energy that made Joseph Brant a ruler
of the native races.

On being asked as to the help he might render to the
English arms in the New World, Brant asserted strongly
that he and his people were loyal. He said that, as War
Chief, he would lead three thousand of his warriors into
the struggle, and that they would fight manfully as
subjects of the king. He knew full well how desperate
the contest was going to be, and wishing to have some