Watch and Clock Escapements - A Complete Study in Theory and Practice of the Lever, Cylinder and Chronometer Escapements, Together with a Brief Account of the Origin and Evolution of the Escapement in Horology by Anonymous
page 9 of 243 (03%)
page 9 of 243 (03%)
![]() | ![]() |
|
one-half degrees; which, by the way, is a very desirable arc for a
carefully-constructed escapement. The controlling idea which would seem to rule in constructing a detached lever escapement, would be to make it so the balance is free of the fork; that is, detached, during as much of the arc of the vibration of the balance as possible, and yet have the action thoroughly sound and secure. Where a ratchet-tooth escapement is thoroughly well-made of eight and one-half degrees of pallet-and-fork action, ten and one-half degrees of escape-wheel action can be utilized, as will be explained later on. We will now resume the drawing of our escape wheel, as illustrated at Fig. 4. In the drawing at Fig. 6 we show the circle _n n_, which represents the periphery of our escape wheel; and in the drawing we are supposed to be drawing it ten inches in diameter. We produce the vertical line _m_ passing through the center _p_ of the circle _n_. From the intersection of the circle _n_ with the line _m_ at _i_ we lay off thirty degrees on each side, and establish the points _e f_; and from the center _p_, through these points, draw the radial lines _p e'_ and _p f'_. The points _f e_, Fig. 6, are, of course, just sixty degrees apart and represent the extent of two and one-half teeth of the escape wheel. There are two systems on which pallets for lever escapements are made, viz., equidistant lockings and circular pallets. The advantages claimed for each system will be discussed subsequently. For the first and present illustration we will assume we are to employ circular pallets and one of the teeth of the escape wheel resting on the pallet at the point _f_; and the escape wheel turning in the direction of the arrow _j_. If we imagine a tooth as indicated at the dotted |
|