Edition of her works.

Some years after she married, my sister again tried her hand at
hymn-writing. On July 22, 1879, she wrote to her husband:

"I think I will finish my hymn of 'Church of the Quick and Dead,' and
get thee to write a processional tune. The metre is (last verse)--

'Church of the Quick and Dead,
Lift up, lift up thy head,
Behold the Judge is standing at the door!
Bride of the Lamb, arise!
From whose woe-wearied eyes
My God shall wipe all tears for evermore.'"

My sister published very few of the things which she wrote to amuse us
in our MS. "Gunpowder Plot Magazine," for they chiefly referred to
local and family events; but "The Blue Bells on the Lea" was an
exception. The scene of this is a hill-side near our old home, and Mr.
Andre's fantastic and graceful illustrations to the verses when they
came out as a book, gave her full satisfaction and delight.

In June 1865 she contributed a short parochial tale, "The Yew Lane
Ghosts," to the _Monthly Packet_, and during the same year she gave a
somewhat sensational story, called "The Mystery of the Bloody
Hand,"[8] to _London Society_. Julie found no real satisfaction in
writing this kind of literature, and she soon discarded it; but her
first attempt showed some promise of the prolific power of her
imagination, for Mr. Shirley Brooks, who read the tale impartially,
not knowing who had written it, wrote the following criticism: "If the