Juliana Horatia Ewing And Her Books by Horatia K. F. Eden
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GOD which was the guiding influence of everything she wrote
or did. So inseparable was it from her every-day life that readers must not be surprised if they find grave and gay sentences following each other in close succession. Julie's sense of humour never forsook her, but she was never malicious, and could turn the laugh against herself as readily as against others. I have ventured to insert a specimen of her fun, which I hope will not be misunderstood. In a letter to C.T.G., dated March 13, 1874, she gave him a most graphic picture of the erratic condition of mind that had come over an old friend, the result of heavy responsibilities and the rush of London life. Julie had no idea when she wrote that these symptoms were in reality the subtle beginnings of a breakdown, which ended fatally, and no one lamented the issue more truly than she; but she could not resist catching folly as it flew, and many of the flighty axioms became proverbial amongst us. The insertion of Bishop Medley's reply to my sister, April 8, 1880, needs no apology, it is so interesting in itself, and gives such a charming insight into the friendship between them. The _List of Mrs. Ewing's Works_ at the end of the Memoir was made before the publication of the present Complete Edition; this, therefore, is only mentioned in cases where stories have not been published in any other book form. All Mrs. Ewing's Verses for Children, Hymns, and Songs for Music (including two left in MS.) are included in Volume IX. Volume XVII., "Miscellanea," contains _The Mystery of a bloody hand_ together with the Translated Stories, and other papers that had |
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