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Ancient Art and Ritual by Jane Ellen Harrison
page 21 of 172 (12%)
howl will probably, because it is collective, develop a rhythm, a
regular recurrence, and hence probably issue in a kind of ritual music;
but for the further stage of development into art another step is
necessary. We must not only _utter_ emotion, we must _represent_ it,
that is, we must in some way reproduce or imitate or express the thought
which is causing us emotion. Art is not imitation, but art and also
ritual frequently and legitimately _contain an element of imitation_.
Plato was so far right. What exactly is imitated we shall see when we
come to discuss the precise difference between art and ritual.

* * * * *

The Greek word for a _rite_ as already noted is _dromenon_, "a thing
done"--and the word is full of instruction. The Greek had realized that
to perform a rite you must _do_ something, that is, you must not only
feel something but express it in action, or, to put it psychologically,
you must not only receive an impulse, you must react to it. The word for
rite, _dromenon_, "thing done," arose, of course, not from any
psychological analysis, but from the simple fact that rites among the
primitive Greeks were _things done_, mimetic dances and the like. It is
a fact of cardinal importance that their word for theatrical
representation, _drama_, is own cousin to their word for rite,
_dromenon_; _drama_ also means "thing done." Greek linguistic instinct
pointed plainly to the fact that art and ritual are near relations. To
this fact of crucial importance for our argument we shall return later.
But from the outset it should be borne in mind that in these two Greek
words, _dromenon_ and _drama_, in their exact meaning, their relation
and their distinction, we have the keynote and clue to our whole
discussion.

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