Ancient Art and Ritual by Jane Ellen Harrison
page 52 of 172 (30%)
page 52 of 172 (30%)
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in honour of _Yarilo_, the Spring God.
The image is beaten, insulted, let down into some cleft or cave. It is clearly a "Carrying out the Death," though we do not know the exact date at which it was celebrated. It had its sequel in another festival at Delphi called _Herois_, or the "Heroine." Plutarch[23] says it was too mystical and secret to describe, but he lets us know the main gist. "Most of the ceremonies of the _Herois_ have a mystical reason which is known to the Thyiades, but from the rites that are done in public, one may conjecture it to be a 'Bringing up of Semele.'" Some one or something, a real woman, or more likely the buried puppet _Charila_, the Spring-Maiden, was brought up from the ground to enact and magically induce the coming of Spring. * * * * * These ceremonies of beating, driving out, burying, have all, with the Greeks, as with the savage and the modern peasant, but one real object: to get rid of the season that is bad for food, to bring in and revive the new supply. This comes out very clearly in a ceremony that went on down to Plutarch's time, and he tells us[24] it was "ancestral." It was called "the Driving out of Ox-hunger." By Ox-hunger was meant any great ravenous hunger, and the very intensity and monstrosity of the word takes us back to days when famine was a grim reality. When Plutarch was _archon_ he had, as chief official, to perform the ceremony at the Prytaneion, or Common Hearth. A slave was taken, beaten with rods of a magical plant, and driven out of doors to the words: "Out with Ox-hunger! In with Wealth and Health!" Here we see the actual sensation, |
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