'How very silly it is to talk like this!' came in Amy's voice,
clearly critical. 'Art must be practised as a trade, at all
events in our time. This is the age of trade. Of course if one
refuses to be of one's time, and yet hasn't the means to live
independently, what can result but breakdown and wretchedness?
The fact of the matter is, you could do fairly good work, and
work which would sell, if only you would bring yourself to look
at things in a more practical way. It's what Mr Milvain is always
saying, you know.'

'Milvain's temperament is very different from mine. He is
naturally light-hearted and hopeful; I am naturally the opposite.

What you and he say is true enough; the misfortune is that I
can't act upon it. I am no uncompromising artistic pedant; I am
quite willing to try and do the kind of work that will sell;
under the circumstances it would be a kind of insanity if I
refused. But power doesn't answer to the will. My efforts are
utterly vain; I suppose the prospect of pennilessness is itself a
hindrance; the fear haunts me. With such terrible real things
pressing upon me, my imagination can shape nothing substantial.
When I have laboured out a story, I suddenly see it in a light of
such contemptible triviality that to work at it is an impossible
thing.'

'You are ill, that's the fact of the matter. You ought to have
had a holiday. I think even now you had better go away for a week
or two. Do, Edwin!'

'Impossible! It would be the merest pretence of holiday. To go