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Anglo-Saxon Literature by John Earle
page 109 of 297 (36%)
he received the gift of singing unacquired and by divine help. Wherefore
he could never make any frivolous or unprofitable poem, but those things
only which pertain to religion were fit themes for his religious tongue.
During his secular life, which continued up to the time of advanced age,
he had never learnt any songs. And, therefore, sometimes at a feast,
when for merriment sake it was agreed that all should sing in turn, he,
when he saw that the harp was nearing him, would rise from his
unfinished supper and go quietly away to his own home." (iv., 24.)

On one occasion, when this had happened, he went, not to his home, but
to the cattle sheds, to rest, because it was his turn to do so that
night. In his sleep one appeared to him and bade him sing. He pleaded
inability, but the command was repeated. "What then," he asked, "must I
sing?" He was told he must sing of the beginning of created things. Then
he sang a Hymn of Creation, and this hymn he remembered when he was
risen from sleep, and it was the proof of his divine vocation. The hymn
was preserved in Latin as well as in the original; and both have been
quoted above. The poems which he subsequently wrote are thus
described:--

"He sang of the creation of the world and the origin of the human race,
and the whole story of Genesis, of Israel's departure out of Egypt and
entrance into the land of promise, of many other parts of the sacred
history, of the Lord's Incarnation, Passion, Resurrection, and Ascension
into Heaven, of the coming of the Holy Spirit, and the doctrine of the
Apostles. Likewise of the terror of judgment to come, and the awful
punishment of hell, and the bliss of the heavenly kingdom, he made many
poems; many others also concerning divine benefits and judgments, in all
which he sought to wean men from the love of sin, and stimulate them to
the enjoyment and pursuit of good action."
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