Anglo-Saxon Literature by John Earle
page 66 of 297 (22%)
page 66 of 297 (22%)
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The same three appear in _Macbeth_ as the Weird Sisters; and it is
probably from this connexion that _weird_ has become an adjective for all that savours of heathenism. A frequent word for battle and carnage is _wæl_, and the root idea of this word is choice, which may be illustrated from the German _wählen_--to choose. The heathen idea was that Woden chose those who should fall in battle to dwell with him in Walhalla, the Hall of the chosen. In the exercise of this choice, Woden acted by female messengers, called in the Norse mythology _valkyrja_, pl. _valkyrjor_.[49] All superior works in metal, as swords, coats of mail, jewels, are the productions of Weland, the smith. His father is called Wudga, and his son is called Wada; and with this child on his shoulder Weland strides through water nine yards deep. This was matter of popular song down to Chaucer's time:-- He songe, she playede, he told a tale of Wade. "Troylus and Crescyde," iii., 615. He had by Beadohild another son, in German named Witeche, who inherited his father's skill and renown. For his violence to Beadohild, Weland was lamed; but he made for himself a winged garment, wherewith he took his flight through the air. He is at once the Daidalos and the Hephaistos of the Greeks. The translator of the Boethian Metres has taken occasion to bring in this heathen god, whose cult (it seems) was still too active. In Metre ii., 7, where Boethius has the line-- |
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