A Bibliographical, Antiquarian and Picturesque Tour in France and Germany, Volume Two by Thomas Frognall Dibdin
page 45 of 355 (12%)
page 45 of 355 (12%)
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the apartments attached to this magnificent collection--and, when not
occupied in their particular vocation of carrying books to and fro, these attendants are engaged in reading, or sitting quietly with crossed legs, and peradventure dosing a little. But nothing can exceed their civility; accompanied with a certain air of politeness, not altogether divested of a kind of gentlemanly deportment. On entering the first of those rooms, where the prints are kept, you are immediately struck with the narrow dimensions of the place--for the succeeding room, though perhaps more than twice as large, is still inadequate to the reception of its numerous visitors.[21] In this first room you observe a few of the very choicest productions of the burin, from the earliest periods of the art, to the more recent performances of _Desnoyer_, displayed within glazed frames upon the wainscot. It really makes the heart of a connoisseur leap with ecstacy to see such _Finiguerras, Baldinis, Boticellis, Mantegnas, Pollaiuolos, Israel Van Meckens, Albert Durers, Marc Antonios, Rembrandts, Hollar, Nanteuils, Edelincks, &c._; while specimens of our own great master engravers, among whom are _Woollet_ and _Sharp_, maintain a conspicuous situation, and add to the gratification of the beholder. The idea is a good one; but to carry it into complete effect, there should be a gallery, fifty feet long, of a confined width, and lighted from above:[22] whereas the present room is scarcely twenty feet square, with a disproportionably low ceiling. However, you cannot fail to be highly gratified--and onwards you go--diagonally--and find yourself in a comparatively long room--in the midst of which is a table, reaching from nearly one end to the other, and entirely filled (every day) with visitors, or rather students--busied each in their several pursuits. Some are quietly turning over the succeeding leaves, on which the prints are pasted: others are pausing upon each fine specimen, in silent ecstacy--checking themselves every instant lest they should break forth |
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