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A Bibliographical, Antiquarian and Picturesque Tour in France and Germany, Volume Two by Thomas Frognall Dibdin
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right. What may this mean? All are silent; a ring is made, of which the
boundaries are marked by small lighted candles stuck in pieces of clay.
Within this circle stands a man--apparently strangled: both arms are
extended, and his eyes are stretched to their utmost limits. You look more
closely--and the hilt of a dagger is seen in his mouth, of which the blade
is introduced into his stomach! He is almost breathless, and ready to
faint--but he approaches, with the crown of a hat in one hand, into which
he expects you should drop a sous. Having made his collection, he draws
forth the dagger from its carnal sheath, and, making his bow, seems to
anticipate the plaudits which invariably follow.[3] Or, he changes his plan
of operations on the following evening. Instead of the dagger put down his
throat, he introduces a piece of wire up one nostril, to descend by the
other--and, thus self-tortured, demands the remuneration and the applause
of his audience. In short, from one end of the Boulevards to the other, for
nearly two English miles, there is nought but animation, good humour, and,
it is right to add, good order;--while, having strolled as far as the
Boulevards _de Bondy_, and watched the moon-beams sparkling in the waters
which play there within the beautiful fountain so called,--I retread my
steps, and seek the quiet quarters in which this epistle is penned.

The next out-of-door sources of gratification, of importance, are the
_Gardens of the Thuileries_, the _Champs Elysées_, and the promenade within
the _Palais Royal_; in which latter plays a small, but, in my humble
opinion, the most beautifully constructed fountain which Paris can boast
of. Of this, presently. The former of these spots is rather pretty than
picturesque: rather limited than extensive: a raised terrace to the left,
on looking from the front of the Thuileries, is the only commanding
situation--from which you observe the Seine, running with its green tint,
and rapid current, to the left--while on the right you leisurely examine
the rows of orange trees and statuary which give an imposing air of
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