is conversely made apparent by keeping these windows rather higher,
putting a double string course over them, and a slight extra depth of
moulding, forming a kind of cornice over each.

The space left between these and the roof, in which the attic windows
are placed, is treated with a series of mullions and panelings, into
which the attic windows are worked, as part of the series of openings;
this gives a little richness of effect to the top story, and a
continuity of treatment, which binds the whole series of windows
together. To have treated the whole of the walls and windows in this way
would have been merely throwing away labor; what little effect it has
consists in the "character" given by the contrast of this top story
treatment with the plain wall surfaces below.

The last thing is to emphasize the door, as the principal opening in the
walls, and quite distinct in use and meaning from the other openings, by
giving it a little architectural frame or setting, which may be done in
many ways, but in this case is done by the old fashioned device (not
very logical certainly) of putting a little entablature over it, and a
column on either side; there is, however, this to be said for it, that
the projecting tablature forms a semi-porch, protecting those at the
door somewhat from rain; it must be carried in some way, and columns are
the readiest and most seemly manner of doing it, and they also form,
practically, something of a weather screen; the bases on which they
stand also form a framework or inclosing wall for the steps, which are
thus made part of the architectural design, instead of standing out as
an eyesore, as on Fig. 10. We have now given the house a little general
expression, but it still is vague in its design as far as regards the
distribution of the interior; we do not know whether the first floor,
for instance, is one large room, or two or more rooms, or how they are