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A Study of Pueblo Pottery as Illustrative of Zuñi Culture Growth. - Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 467-522 by Frank Hamilton Cushing
page 12 of 59 (20%)
_ósh ten_--or that, when the intervention of peace made return to the
abandoned farms of the plains or a change of condition possible, the
idea of the second story should be carried along and the name first
applied to it survive, even to the present day? That the upper story
took its name from the rock-shelter may be further illustrated. The
word _ósh ten_ comes from _ó sho nan te_, the condition of being
dusky, dank, or mildewy; clearly descriptive of a cavern, but not of
the most open, best lighted, and driest room in a Pueblo house.

To continue, we may see how the necessity for protection would drive
the petty clans more and more to the cliffs, how the latter at every
available point would ultimately come to be occupied, and thus how the
"_Cliff-dwelling_" (see Fig. 498), was confined to no one section but
was as universal as the farm-house type of architecture itself, so
widespread, in fact, that it has been heretofore regarded as the
monument of a great, now extinct _race_ of people!


COMMUNAL PUEBLOS DEVELOPED FROM CONGREGATION OF CLIFF-HOUSE TRIBES.

[Illustration: FIG. 499.--Typical terraced communal pueblo.]

We may see, finally, how at last the cañons proved too limited and in
other ways undesirable for occupation, the result of which was the
confederation of the scattered cliff-dwelling clans, and the
construction, first on the overhanging cliff-tops, then on _mesas_,
and farther and farther away, of great, many-storied towns, any one of
which was named, in consequence of the bringing together in it of many
houses and clans, _thlu él lon ne_, from _thlu a_, many springing up,
and _él lon a_, that which stands, or those which stand; in other
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