The Ethics of George Eliot's Works by John Crombie Brown
page 36 of 92 (39%)
page 36 of 92 (39%)
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The one purer feeling in that corrupt heart--his love for Romola--is
almost from the first tainted by the same selfishness. From the first he recognises that his relation to her will give him a certain position in the city; and he feels that with his ready tact and Greek suppleness this is all that is needed to secure his further advancement. The vital antagonism between his nature and hers bars the possibility of his foreseeing how her truthfulness, nobleness, and purity shall become the thorn in his ease-loving life. In his earlier relations with Tessa, there is nothing more than seeking a present and passing amusement, and the desire to sun himself in her childish admiration and delight. He is as far as possible from the intentional seducer and betrayer. But his accidental encounters with her, cause him perplexity and annoyance; and at last it seems to him safer for his own position, especially in regard to Romola, that she should be secretly housed as she is, and taught to regard herself as his wife. Soon there comes to be more of ease for him with the bond-submissive child-mistress, than in the presence of the high-souled, pure-hearted wife. In the first and decisive encounter with Baldassarre, the words of repudiation which seal the whole after-character of his life, apparently escape from him unconsciously and by surprise. But it is the traitor-heart that speaks them. They could never even by surprise have escaped the lips, had not the baseness of their denial and desertion been already in the heart consummated. We need not follow him through all his subsequent and deepening treasons. They all, without exception, want every element that might make even treason impressive. They want even such factitious elevation as their being prompted by hatred or revenge might lend;--even such broader interest as their being done in the interest of a party, or for some wide |
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