Autumn Leaves - Original Pieces in Prose and Verse by Various
page 46 of 135 (34%)
page 46 of 135 (34%)
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breaking at a touch, fine long pieces hopelessly tangled together, so
that not even an end is visible. The more you twitch at the loops, the more desperate is the snarl. Poor mortal! Your pride gives way before the urgency of haste. You send off your nice packet miserably tied together by two kinds of twine. All the rest of the day you are tormented by a superfluity of the very thing you needed so much. It was impossible to get it when you wanted it; but now it is pertinaciously in your way when you do _not_ want it. You almost break your neck tripping over a long, firm cord, which proves to be a pair of reins left hanging on a chair by some careless urchin. The carpet and furniture are strewed with long, straggling pieces of packthread. You find a white end dangling conspicuously from your waistcoat pocket. As you walk the streets you see twine flying from fences, or lying useless on the sidewalk, black with dust and age. To crown the whole, a friend comes with a piece of twine extending across two rooms, and asks you to help him twist and double it into a cord. It is a very entertaining process. You amuse yourself with watching one little rough place that whirls swiftly round, stops with a jerk, turns hesitatingly one side and the other, then, yielding to a new impulse, flies round and round again till you are dizzy. You look with great complacency at the tightening twist, now brought _almost_ to perfection. You turn it carelessly in your fingers, scarcely noticing its convulsive starts for freedom. Ah! your imprudent friend, without any warning, gives it a final pull to stretch it into shape. The twine slips from your grasp, springs away across the room, curls itself into a succession of snarls and twisted loops, and then lies motionless. Your friend looks thunderstruck. With a hasty apology, you step forward and tightly clasp the recreant end. You are in nervous expectation of dropping it again. Your fingers |
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