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Michelangelo - A Collection Of Fifteen Pictures And A Portrait Of The - Master, With Introduction And Interpretation by Estelle M. (Estelle May) Hurll
page 47 of 102 (46%)
the effect of solidity in the figures of the foreground, giving them
the prominence of figures in relief.




VI

THE PIETÀ


In the busy years of Christ's ministry we do not read of his often
being with his mother Mary. He was going about the country preaching
and healing, and gave himself wholly to his mission. Yet we know that
the love between mother and son was constant and unchanging. From
beginning to end she always had confidence in his power, and his
tender care for her was among his last thoughts.

On the dreadful day of the Crucifixion, the mother was found standing
by the cross, with her sister and Mary Magdalene. "When Jesus
therefore saw his mother, and the disciple standing by, whom he loved
[that is, St. John], he saith unto his mother, Woman, behold thy son!
Then saith he to the disciple, Behold thy mother! And from that hour
that disciple took her unto his own home."[14]

[Footnote 14: John, chapter xix. verses 26, 27.]

We can imagine the mother's anguish in seeing her son suffer this
cruel and ignominious death. He had lived only to do good, and now he
was dying an innocent sacrifice to his enemies. At such a moment the
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