Emily Fox-Seton - Being "The Making of a Marchioness" and "The Methods of Lady Walderhurst" by Frances Hodgson Burnett
page 38 of 315 (12%)
page 38 of 315 (12%)
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almost a sort of intimacy over the wool scarf for the deep-sea
fisherman, which was taken up and laid down, and even carried out on the lawn and left under the trees for the footmen to restore when they brought in the rugs and cushions. Lady Maria was amusing herself with the making of knitted scarfs and helmets just now, and bits of white or gray knitting were the fashion at Mallowe. Once Agatha brought hers to Emily's room in the afternoon to ask that a dropped stitch might be taken up, and this established a sort of precedent. Afterward they began to exchange visits. The strenuousness of things was becoming, in fact, almost too much for Lady Agatha. Most unpleasant things were happening at home, and occasionally Castle Clare loomed up grayly in the distance like a spectre. Certain tradespeople who ought, in Lady Claraway's opinion, to have kept quiet and waited in patience until things became better, were becoming hideously persistent. In view of the fact that Alix's next season must be provided for, it was most awkward. A girl could not be presented and properly launched in the world, in a way which would give her a proper chance, without expenditure. To the Claraways expenditure meant credit, and there were blots as of tears on the letters in which Lady Claraway reiterated that the tradespeople were behaving horribly. Sometimes, she said once in desperation, things looked as if they would all be obliged to shut themselves up in Castle Clare to retrench; and then what was to become of Alix and her season? And there were Millicent and Hilda and Eve. More than once there was the mist of tears in the flower-blue eyes when Lady Agatha came to talk. Confidence between two women establishes itself through processes at once subtle and simple. Emily Fox-Seton could not have told when she first began to know that the beauty was |
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