Chambers's Edinburgh Journal, No. 428 - Volume 17, New Series, March 13, 1852 by Various
page 42 of 68 (61%)
page 42 of 68 (61%)
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Well-seasoned Nile-travellers confirm our experience; and as we had
rowed and floated within a calculated time from Assouan to Ombos, and from Ombos to Silsilis, so did we proceed to Edfou, and to the stations beyond, with few exceptions of obstinately adverse weather. True, some portions of the view are missed during the hours of night-travelling; but these have most probably been seen during the ascent. Besides, though the scenery of the Nile is certainly not monotonous enough to weary the eye, yet there is a general sameness in its details, a want of those bold, original features which in other countries stamp the character of particular localities. Two parallel lines of mountains ever within sight of each other, now advancing towards the river through a sea of verdure in promontories, always nearly with the same level outline, now receding in semicircular sweeps; a narrow flat plain, loaded with crops and palm-groves, and intersected by canals and dikes, sometimes equally divided by a tortuous stream of vast breadth, but sometimes thrown, as it were, all to one side, east or west; occasionally a long line of precipices descending sheer into the very water; once only a regular defile with rocks on either hand; islands in the river, sandbanks, broad, winding reaches--such, in a few words, is a description of Egypt. It is the variety of colour produced by that mighty painter, the sun, that gives all the beauty to the landscape; and of this it is almost impossible to convey an idea. The chaste loveliness of the dawn, the majestic splendour of noon, and the marvellous glories of the sunset-hour--the thousand hues that glow and tremble, and melt and mingle around through all the scenes of this great drama of light--words have not yet been invented to describe. And then the night! Who can sit down and recall and count over the impressions which fly like a troop of fairies over the thrilling senses |
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