secures interest, and even passionate love, not because it is a
congeries of thriving factories, but rather by the dignity of its
position, the splendour of its architecture, the variety and volume of
its life, the imperial, literary, and artistic interests of which it is
the centre, and the prolongation of its history through tumultuous
periods of time, which fade into the suggestive shadows of antiquity.
London answers perfectly to this definition of the truly admirable
city. It has been the stage of innumerable historic pageants; it
presents an unexampled variety of life; and there is majesty in the
mere sense of multitude with which it arrests and often overpowers the
mind.

As I have already, with an innocent impertinence, justified myself by
Horace, so I will now justify myself by Wordsworth, whose famous sonnet
written on Westminster Bridge is sufficient proof that he could feel
the charm of cities as deeply as the charm of Nature. 'Earth hath not
anything to show more fair,' wrote Wordsworth, and of a truth London
has moods and moments of almost unearthly beauty, perhaps unparalleled
by any vision that inebriates the eye in the most gorgeous dawn that
flushes Alpine snows, or the most solemn sunset that builds a gate of
gold across the profound depth of Borrowdale or Wastwater. He who has
seen the tower of St. Clement Danes swim up, like an insubstantial
fabric, through violet mist above the roaring Strand; or the golden
Cross upon St. Paul's with a flag of tinted cloud flying from it; or
the solemn reaches of the Thames bathed in smoky purple at the slow
close of a summer's day, will know what I mean, and will (it is
possible) have some memory of his own which will endorse the justness
of my praise.

From this exalted prelude I will at once descend to more prosaic