[Footnote: "Etruria," vol. i., p. 380.] belongs to the archaic period,
and is perhaps as early as 600 B.C. It exhibits a stronger Greek
influence than some of the paintings. Fig. 21, showing a military
dance to pipes, with other sports, comes from the _Grotta della
Scimia_, also at Corneto; these show a more purely Etruscan character.

[Illustration: Fig. 22.--Etruscan Dancing. From the Grotta del
Triclinio.--Corneto.]

The pretty dancing scene from the _Grotta del Triclinio_ at Corneto
is taken from a full-sized copy in the British Museum, and is of the
greatest interest. It is considered to be of the Greco-Etruscan
period, and later than the previous examples (fig. 22).

There is a peculiarity in the attitude of the hands, and of the
fingers being kept flat and close together; it is not a little curious
that the modern Japanese dance, as exhibited by Mme. Sadi Yacca, has
this peculiarity, whether the result of ancient tradition or of modern
revival, the writer cannot say.

Almost as interesting as the Etruscan are the illustrations of dancing
found in the painted tombs of the Campagna and Southern Italy, once
part of "Magna Grecia"; the figure of a funeral dance, with the double
pipe accompaniments, from a painted tomb near Albanella (fig. 23) may
be as late as 300 B.C., and those in figs. 24, 25 from a tomb near
Capua are probably of about the same period. These Samnite dances
appear essentially different from the Etruscan; although both Greek
and Etruscan influence are very evident, they are more solemn and
stately. This may, however, arise from a different national custom.