have been of a complicated character and the double pipe or flutes
were probably reeded, as with our clarionet. The left pipe had few
stops and served as a sort of hautboy; the right had many stops and
was higher. The single pipe, (a) "The recorder" in the British Museum,
is a treble of 10-1/2 in. and is pentaphonic, like the Scotch scale;
the tenor (b) is 8-3/4 in. long and its present pitch--[Illustration:
a] [Illustration: b] the guitar, the tambourine, the castanets, the
cymbals, the tambour, and sometimes in the street, the drum.

The following account of Egyptian dancing is from Sir Gardiner
Wilkinson's "Ancient Egypt" [Footnote: Vol. i., p. 503-8.]:--

"The dance consisted mostly of a succession of figures, in which the
performers endeavoured to exhibit a great variety of gesture. Men and
women danced at the same time, or in separate parties, but the latter
were generally preferred for their superior grace and elegance. Some
danced to slow airs, adapted to the style of their movement; the
attitudes they assumed frequently partook of a grace not unworthy of
the Greeks; and some credit is due to the skill of the artist who
represented the subject, which excites additional interest from its
being in one of the oldest tombs of Thebes (B.C. 1450, Amenophis II.).
Others preferred a lively step, regulated by an appropriate tune; and
men sometimes danced with great spirit, bounding from the ground,
more in the manner of Europeans than of Eastern people. On these
occasions the music was not always composed of many instruments, and
here we find only the cylindrical maces and a woman snapping her
fingers in the time, in lieu of cymbals or castanets.

"Graceful attitudes and gesticulations were the general style of their
dance, but, as in all other countries, the taste of the performance