The New Frontiers of Freedom from the Alps to the Ægean by E. Alexander Powell
page 12 of 169 (07%)
page 12 of 169 (07%)
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as beautiful as Venetia at sixty miles an hour, with the incomparable
landscape whirling past in a confused blur, like a motion-picture film which is being run too fast because the operator is in a hurry to get home, seems to me as unintelligent as it is unnecessary. Like all Italian drivers, moreover, our chauffeur insisted on keeping his cut-out wide open, thereby producing a racket like a machine-gun, which, though it gave warning of our approach when we were still a mile away, made any attempt at conversation, save by shouting, out of the question. Because I wished to follow Italy's new frontiers from their very beginning, at that point where the boundaries of Italy, Austria and Switzerland meet near the Stelvio Pass, our course from Venice lay northwestward, across the dusty plains of Venetia, shimmering in the summer heat, the low, pleasant-looking villas of white or pink or sometimes pale blue stucco, set far back in blazing gardens, peering coyly out at us from between the ranks of stately cypresses which lined the highway, like daintily-gowned girls seeking an excuse for a flirtation. Dotting the Venetian plain are many quaint and charming towns of whose existence the tourist, traveling by train, never dreams, their massive walls, sometimes defended by moats and draw-bridges, bearing mute witness to this region's stormy and romantic past. Towering above the red-tiled roofs of each of these Venetian plain-towns is its slender campanile, and, as each campanile is of distinctive design, it serves as a landmark by which the town can be identified from afar. Through the narrow, cobble-paved streets of Vicenza we swept, between rows of shops opening into cool, dim, vaulted porticoes, where the townspeople can lounge and stroll and gossip without exposing themselves to rain or sun; through Rovereto, noted for its silk-culture and for its old, old houses, superb examples of the domestic architecture of the Middle Ages, with faded frescoes on their quaint façades; and so up the |
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