British Highways And Byways From A Motor Car - Being A Record Of A Five Thousand Mile Tour In England, - Wales And Scotland by Thomas Dowler Murphy
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page 32 of 271 (11%)
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between the old buildings closely bordering on each side. The whole
effect was delightful and so soft with sunset colors as to be suggestive of Venice. We noted that although Canterbury is exceedingly ancient, it is also a city of nearly thirty thousand population and the center of rich farming country, and, as at Chester, we found many evidences of prosperity and modern enterprise freely interspersed with the quaint and time-worn landmarks. One thing which we noticed not only here but elsewhere in England was the consummate architectural taste with which the modern business buildings were fitted in with the antique surroundings, harmonizing in style and color, and avoiding the discordant note that would come from a rectangular business block such as an American would have erected. Towns which have become known to fame and to the dollar-distributing tourists are now very slow to destroy or impair the old monuments and buildings that form their chief attractiveness, and the indifference that prevailed generally fifty or a hundred years ago has entirely vanished. We in America think we can afford to be iconoclastic, for our history is so recent and we have so little that commands reverence by age and association; yet five hundred years hence our successors will no doubt bitterly regret this spirit of their ancestors, just as many ancient towns in Britain lament the folly of their forbears who converted the historic abbeys and castles into hovels and stone fences. Fortunately, the cathedral at Canterbury escaped such a fate, and as we viewed it in the fading light we received an impression of its grandeur and beauty that still keeps it pre-eminent after having visited every cathedral in the island. It is indeed worthy of its proud position in the English church and its unbroken line of traditions, lost in the mist of antiquity. It is rightly the delight of the architect and the artist, but an adequate description of its magnificence has no place in this |
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