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The Story of Baden-Powell - 'The Wolf That Never Sleeps' by Harold Begbie
page 14 of 130 (10%)

Another of his amusements at this time was sketching. He got into the
habit of holding his pencil or paint-brush in the left hand, and his
watchful mother was troubled in her mind as to the wisdom of allowing
a possible Botticelli to play pranks with his art. One day Ruskin
called when this doubt was in her mind, and to him the question was
propounded. Without a moment's reflection he counselled the mother to
let the boy draw in whatsoever manner he listed, and together they
went to find the young artist at his work. In the play-room they
discovered one brother reading hard at astronomy, and Ste with a
penny box of water-colours painting for dear life--with his left hand.

"Now I'll show you how to paint a picture," said Ruskin, and with a
piece of paper on the top of his hat and B.-P.'s penny box of paints
at his side he set to work, taking a little china vase for a model.
Both the vase and the picture are now in the drawing-room of Mrs.
Baden-Powell's London house. The result of Ruskin's advice was that
B.-P. continued to draw with his left hand, and now in making sketches
he finds no difficulty in drawing with his left hand and shading in at
the same time with his right.

There is an incident of his childhood which I must not forget to
record. At a dinner-party at the Baden-Powells', when Ste was not yet
three years old, the guests being all learned and distinguished men,
such as Buckle and Whewell, Thackeray was handing Mrs. Baden-Powell
into dinner when he noticed that one of the little children was
following behind. This was the future scout of the British Army, and
the young gentleman, according to his wont, was just scrambling into a
chair when Thackeray, fumbling in his pocket, produced a new
shilling, and said in his caressing voice, "There, little one, you
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