moments, and there are the mass pageant plays performed on State
occasions. I had the good fortune to witness one of each kind.

The play was called _Zarevo_ (The Dawn), and was performed on a
Saturday night on a small stage in a small hall in an entirely amateur
fashion. It represented Russian life just before the revolution. It
was intense and tragic and passionately acted. Dramatic talent is not
rare in Russia. Almost the only comic relief was provided by the
Tsarist police, who made one appearance towards the end, got up like
comic military characters in a musical comedy--just as, in mediæval
miracle plays, the comic character was Satan. The play's intention was
to show a typical Russian working-class family. There were the old
father, constantly drunk on vodka, alternately maudlin and scolding;
the old mother; two sons, the one a Communist and the other an
Anarchist; the wife of the Communist, who did dressmaking; her
sister, a prostitute; and a young girl of _bourgeois_ family, also a
Communist, involved in a plot with the Communist son, who was of
course the hero of the play.

The first act revealed the stern and heroic Communist maintaining his
views despite the reproaches of father and mother and the nagging of
his wife. It showed also the Anarchist brother (as might be expected
from the Bolshevik hostility to Anarchism) as an unruly, lazy,
ne'er-do-well, with a passionate love for Sonia, the young
_bourgeoise_, which was likely to become dangerous if not returned.
She, on the other hand, obviously preferred the Communist. It was
clear that he returned her love, but it was not quite clear that he
would wish the relation to be anything more than platonic comradeship
in the service of their common ideal. An unsuccessful strike, bringing
want and danger from the police, together with increasing jealousy on