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Statesman by Plato
page 43 of 154 (27%)
law, but by the opinion of another judging like himself without law. In
the second place, even if he be ever so honest, his mode of deciding
questions would introduce an element of uncertainty into human life; no one
would know beforehand what would happen to him, or would seek to conform in
his conduct to any rule of law. For the compact which the law makes with
men, that they shall be protected if they observe the law in their dealings
with one another, would have to be substituted another principle of a more
general character, that they shall be protected by the law if they act
rightly in their dealings with one another. The complexity of human
actions and also the uncertainty of their effects would be increased
tenfold. For one of the principal advantages of law is not merely that it
enforces honesty, but that it makes men act in the same way, and requires
them to produce the same evidence of their acts. Too many laws may be the
sign of a corrupt and overcivilized state of society, too few are the sign
of an uncivilized one; as soon as commerce begins to grow, men make
themselves customs which have the validity of laws. Even equity, which is
the exception to the law, conforms to fixed rules and lies for the most
part within the limits of previous decisions.

IV. The bitterness of the Statesman is characteristic of Plato's later
style, in which the thoughts of youth and love have fled away, and we are
no longer tended by the Muses or the Graces. We do not venture to say that
Plato was soured by old age, but certainly the kindliness and courtesy of
the earlier dialogues have disappeared. He sees the world under a harder
and grimmer aspect: he is dealing with the reality of things, not with
visions or pictures of them: he is seeking by the aid of dialectic only,
to arrive at truth. He is deeply impressed with the importance of
classification: in this alone he finds the true measure of human things;
and very often in the process of division curious results are obtained.
For the dialectical art is no respecter of persons: king and vermin-taker
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