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The Book of Art for Young People by Agnes Ethel Conway;Sir William Martin Conway
page 25 of 152 (16%)
neck. One of the King's angels gives the Royal Standard of England
with the Cross of St. George on it to the Infant Christ in token of
Richard's dedication of his kingdom to the Virgin and Child.

Edward III. died at Midsummer 1377 and Richard succeeded him in his
eleventh year, having been born on January 6, 1367. It is necessary
to note the exact day of the year when these events took place, for
it can have importance in determining the saint whom a personage
chiefly honoured as patron and protector. In this instance St. John
the Baptist, whose feast occurs on June 23, near to the day of Richard's
accession, obviously stands as patron saint of the young King. Next
to him is King Edward the Confessor, the founder of Westminster Abbey,
who was canonized for his sanctity and who points to Richard II. as
his spiritual successor upon the throne. In medieval art the saints
are distinguished by their emblems, which often have an association
with the grim way in which they met their death, or with some other
prominent feature in their legend. Here Edward holds up a ring, whereof
a pretty story is told. Edward once took it off his finger to give
it to a beggar, because he had no money with him. But the beggar was
no other than John the Evangelist in disguise, and two years later
he sent the ring back to the King with the message that in six months
Edward would be in the joy of heaven with him. William Caxton, the
first English printer, relates in his life of King Edward that when
he heard the message he was full of joy and let fall tears from his
eyes, giving praise and thanksgiving to Almighty God.

[Illustration: RICHARD II. BEFORE THE VIRGIN AND CHILD
From a picture by an unknown artist in the Wilton House Collection]

St. Edmund, who stands next to Edward the Confessor, is the other
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