imagination. He must be a man of feeling and have the gift of imparting
to others some share of his own emotions. On almost every page of
President Wilson's writings, as in almost all his policies, whether
educational or political, is stamped the evidence of shaping, visionary
power. Those of us who have known him many years remember well that in
his daily thought and speech he habitually proceeded by this same poetic
method, first growing warm with an idea and then by analogy and figure
kindling a sympathetic heat in his hearers.

The subjects that may excite an artist's imagination are infinitely
numerous and belong to every variety of conceivable life. A Coleridge or
a Renan will make literature out of polemical theology; a Huxley will
write on the physical basis of life with emotion and in such a way as to
infect others with his own feelings; a Macaulay or a Froude will give
what color he please to the story of a nation and compel all but the
most wary readers to see as through his eyes. We are too much accustomed
to reserve the title of literary artist for the creator of fiction,
whether in prose or in verse. Mr. Wilson is no less truly an artist
because the vision that fires his imagination, the vision he has spent
his life in making clear to himself and others and is now striving to
realize in action, is a political conception. He has seen it in terms of
life, as a thing that grows, that speaks, that has faced dangers, that
is full of promise, that has charm, that is fit to stir a man's blood
and demand a world's devotion; no wonder he has warmed to it, no wonder
he has clothed it in the richest garments of diction and rhythm and
figure.

There are small artists and great artists. Granted an equal portion of
imagination and an equal command of verbal resources, and still there
will be this difference. It is an affair of more or less intellectual