The Great German Composers by George T. (George Titus) Ferris
page 48 of 168 (28%)
page 48 of 168 (28%)
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Rousseau was a demigod at whose shrine worshiped alike duchess and
peasant. The Encyclopedists stimulated the ferment by their literary enthusiasm, and the heartiness with which they cooperated with the whole current of revolutionary thought. The very atmosphere was reeking with the prophecy of imminent change. Versailles itself did not escape the contagion. Courtiers and aristocrats, in worshiping the beautiful ideals set up by the new school, which were as far removed as possible from their own effete civilization, did not realize that they were playing with the fire which was to burn out the whole social edifice of France with such a terrible conflagration; for, back and beneath all this, there was a people groaning under long centuries of accumulated wrong, in whose imbruted hearts the theories applauded by their oppressors with a sort of _doctrinaire_ delight were working with a fatal fever. III. In this strange condition of affairs Gluck found his new sphere of labor--Gluck, himself overflowing with the revolutionary spirit, full of the enthusiasm of reform. At first he carried everything before him. Protected by royalty, he produced, on the basis of an admirable libretto by Du Rollet, one of the great wits of the time, "Iphigenia in Aulis." It was enthusiastically received. The critics, delighted to establish the reputation of one especially favored by the Dau-phiness Marie Antoinette, exhausted superlatives on the new opera. The Abbé Arnaud, one of the leading _dilettanti_, exclaimed: "With such music one might found a new religion!" To be sure, the connoisseurs could not understand the complexities of the music; but, following the rule of all |
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