father-in-law's early hospitality.

The young musician soon began to be known, as he played the violin in
one church, the organ in another, and got some pupils. His first rise
was his acquaintance with Metastasio, the poet laureate of the court.
Through him, Haydn got introduced to the mistress of the Venetian
embassador, a great musical enthusiast, and in her circle he met
Porpora, the best music-master in the world, but a crusty, snarling old
man. Porpora held at Vienna the position of musical dictator and censor,
and he exercised the tyrannical privileges of his post mercilessly.
Haydn was a small, dark-complexioned, insignificant-looking youth, and
Porpora, of course, snubbed him most contemptuously. But Haydn wanted
instruction, and no one in the world could give it so well as the savage
old _maestro_. So he performed all sorts of menial services for him,
cleaned his shoes, powdered his wig, and ran all his errands. The
result was that Porpora softened and consented to give his young admirer
lessons--no great hardship, for young Haydn proved a most apt and
gifted pupil. And it was not long either before the young musician's
compositions attracted public attention and found a sale. The very
curious relations between Haydn and Porpora are brilliantly sketched in
George Sand's "Consuelo."

At night Haydn, accompanied by his friends, was wont to wander about
Vienna by moonlight, and serenade his patrons with trios and quartets of
his own composition. He happened one night to stop under the window
of Bernardone Kurz, a director of a theatre and the leading clown of
Vienna. Down rushed Kurz very excitedly. "Who are you?" he shrieked.
"Joseph Haydn." "Whose music is it?" "Mine." "The deuce it is! And
at your age, too!" "Why, I must begin with something." "Come along
up-stairs."