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Great Italian and French Composers by George T. (George Titus) Ferris
page 120 of 220 (54%)
With this period Cherubini closed his career practically as an operatic
composer, though several dramatic works were produced subsequently, and
entered on his no less great sphere of ecclesiastical composition.
At Chimay for a while no one dared to mention music in his presence.
Drawing and painting flowers seemed to be his sole pleasure. At last the
president of the little music society at Chimay ventured to ask him to
write a mass for St. Cecilia's feast day. He curtly refused, but
his hostess noticed that he was agitated by the incident,'as if his
slumbering instincts had started again into life. One day the Princess
placed music paper on his table, and Cherubini on returning from his
walk instantly began to compose, as if he had never ceased it. It is
recorded that he traced out in full score the "Kyrie" of his great
mass in F during the intermission of a single game of billiards. Only
a portion of the mass was completed in time for the festival, but,
on Cherubini's return to Paris in 1809, it was publicly given by an
admirable orchestra, and hailed with a great enthusiasm, that soon
swept through Europe. It was perceived that Cherubini had struck out
for himself a new path in church music. Fétis, the musical historian,
records its reception as follows: "All expressed an unreserved
admiration for this composition of a new order, whereby Cherubini
has placed himself above all musicians who have as yet written in
the concerted style of church music. Superior to the masses of Haydn,
Mozart, and Beethoven, and the masters of the Neapolitan school, that of
Cherubini is as remarkable for originality of idea as for perfection in
art." Picchiante, a distinguished critic, sums up the impressions made
by this great work in the following eloquent and vigorous passage: "All
the musical science of the good age of religious music, the sixteenth
century of the Christian era, was summed up in Palestrina, who
flourished at that time, and by its aid he put into form noble and
sublime conceptions. With the grave Gregorian melody, learnedly
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