Great Italian and French Composers by George T. (George Titus) Ferris
page 16 of 220 (07%)
page 16 of 220 (07%)
|
conduct the performance, which he went through with great agitation.
"I pardon you this time," said the grave maestro, at the end; "but, if you do such a thing again, I will punish you in such a manner that you will remember it as long as you live. Instead of studying the principles of your art, you give yourself up to all the wildness of your imagination; and, when you have tutored your ill-regulated ideas into something like shape, you produce what you call a mass, and no doubt think you have produced a masterpiece." When the boy burst into tears at this rebuke, Leo clasped him in his arms, told him he had great talent, and after that took him under his special instruction. Leo was succeeded by Durante, who also loved Piccini, and looked forward to a future greatness for him. He was wont to say the others were his pupils, but Piccini was his son. After twelve years spent in the conservatory, Piccini commenced an opera. The director of the principal Neapolitan theatre said to Prince Vintimille, who introduced the young musician, that his work was sure to be a failure. "How much can you lose by his opera," the prince replied, "supposing it be a perfect fiasco?" The manager named the sum. "There is the money, then," replied Piccini's generous patron, handing him a purse. "If the 'Dorme Despetose' (the name of the opera) should fail, you may keep the money, but otherwise return it to me." The friends of Lagroscino, the favorite composer of the day, were enraged when they heard that the next new work was to be from an obscure youth, and they determined to hiss the performance. So great, however, |
|