Great Italian and French Composers by George T. (George Titus) Ferris
page 35 of 220 (15%)
page 35 of 220 (15%)
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We quote an opinion also from another able authority: "The drama of 'Gli
Orazi' is taken from Corneille's tragedy 'Les Horaces.' The music is full of noble simplicity, beautiful melody, and strong expression. In the airs dramatic truth is never sacrificed to vocal display, and the concerted pieces are grand, broad, and effective. Taken as a whole, the piece is free from antiquated and obsolete forms; and it wants nothing but an orchestral score of greater fullness and variety to satisfy the modern ear. It is still frequently performed in Germany, though in France and England, and even in its native country, it seems to be forgotten." Cardinal Consalvi, Cimarosa's friend, caused splendid funeral honors to be paid to him at Rome. Canova executed a marble bust of him, which was placed in the gallery of the Capitol. ROSSINI. I. The "Swan of Pesaro" is a name linked with some of the most charming musical associations of this age. Though forty years silence made fruitless what should have been the richest creative period of Rossini's life, his great works, poured forth with such facility, and still retaining their grasp in spite of all changes in public opinion, stamp him as being the most gifted composer ever produced by a country so fecund in musical geniuses. The old set forms of Italian opera had |
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