Great Singers, First Series - Faustina Bordoni To Henrietta Sontag by George T. (George Titus) Ferris
page 110 of 165 (66%)
page 110 of 165 (66%)
![]() | ![]() |
|
rapid passages the under jaw was in a continual state of agitation,
"in a manner, too, generally thought incompatible with the production of pure tone from the chest, and inconsistent with a legitimate execution. This extreme motion was also visible during the shake, which Catalani used sparingly, however, and with little effect." In spite of the reputation for rapacity which the avarice and arrogance of her husband helped to create, Catalani won golden opinions by her sweet temper, liberality, and benevolence. Her purse-strings were always opened to relieve want or encourage struggling merit. Her gayety and light-heartedness were proverbial. It is recorded that at Bangor once she heard for the first time the strains of a Welsh harp, the player being a poor blind itinerant. The music sounding in the kitchen of the inn filled the world-renowned singer with an almost infantile glee, and, rushing in among the pots and pans, she danced as madly as if she had been bitten by the tarantula, till, all panting and breathless, she threw the harper two guineas, and said she had never heard anything which gave her more delight. The claims on her purse kept pace with the enormous gains which seemed to increase from year to year. To her large charities and her extravagant habits of living, her husband added the heavy losses to which his passion for the gaming table led him. It was said in after years that Mme. Catalani should have been worth not less than half a million sterling, so immense had been her gains. Mr. Waters, in a pamphlet published in 1807, says that her receipts from all sources for that year had been nearly seventeen thousand pounds. She frequently was paid two hundred pounds for singing "Rule Britannia," a song in which she became celebrated; and one thousand pounds was the usual _honorarium_ given for her services at a festival. Mme. Catalani, in addition to her operatic performances, frequently sang |
|