which a complete knowledge of music must give, but entering at once into
the views of the composer and giving them all the spirit and expression
he had designed. Such was his genius in his embellishments and cadences
that their variety was inexhaustible.... As an actor, with many
disadvantages of person--for he was tall and awkward in his figure, and
his features were plain--he was nevertheless forcible and impressive;
for he felt warmly, had excellent judgment, and was an enthusiast in his
profession. His recitative was inimitably fine, so that even those who
did not understand the language could not fail to comprehend from his
countenance, voice, and action every sentiment he expressed."

An anecdote illustrating Pacchierotti's pathos is given by the
best-informed musical authorities. When Metastasio's "Artaserse" was
given at Rome with the music of Bertoni, Pacchierotti performed the
part of Arbaces. In one place a touching song is followed by a short
instrumental symphony. When Pacchierotti had finished the air, he turned
to the orchestra, which remained silent, saying, "What are you about?"
The leader, awakened from a trance, answered with much simplicity in a
sobbing voice, "We are all crying." Not one of the band had thought
of the symphony, but sat with eyes full of tears, gazing at the great
singer.


V.

Gabrielli's career, which will now be resumed, had been full of romantic
adventures, _affairés d'amour_, and curious episodes, and her vanity
looked forward to the continuance in England of similar social
excitements. She had accepted the London engagement with some scruple
and hesitation, but her anticipation of brilliant conquests among