Great Singers, First Series - Faustina Bordoni To Henrietta Sontag by George T. (George Titus) Ferris
page 99 of 165 (60%)
page 99 of 165 (60%)
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from which time dated the success of the Italian singer. Toward Mara
she had exerted similar good will, ignoring all professional jealousies. Miss Parke, a concert-singer, was once angry because Billington's name was in bigger type. The latter ordered her name to be printed in the smallest letters used; "and much Miss Parke gained by her corpulent type," says the narrator. Lord Mount Edgcumbe tells us that the operas in which she specially excelled were "La Clemenza di Scipione," composed for her by John Christian Bach; Paesiello's "Elfrida"; "Armida," "Castore e Polluce," and others by Winter; and Mozart's "Clemenza di Tito." For her farewell benefit, when she quitted the stage, March 30, 1806, she selected the last-named opera, which had never been given in England, and existed only in manuscript form. The Prince of Wales had the only copy, and she played through the whole score on the pianoforte at rehearsal, to give the orchestra an idea of the music. The final performance was immensely successful, and the departing _diva_ sang so splendidly as to prove that it was not on account of failing powers that she withdrew from professional life. It is true that Mrs. Billington continued to appear frequently in concert for three years longer, but her dramatic career was ended. A curious instance of woman's infatuation was Mrs. Billington's longing to be reunited to her brutal husband; and so in 1817 she invited him to join her in England. Felican was too glad to gain fresh control over the victim of his conjugal tyranny, and persuaded her to leave England for a permanent residence in Italy. Mrs. Billington realized all her property, and with her jewels and plate, of which she possessed a great quantity, departed for the land of song, taking with her Miss Madocks. She paid a bitter penalty for her revived tenderness toward Felican, for the ruffian subjected her to such treatment that she died from the effects of it, August 25, 1818. In such an ignoble fashion one of the most brilliant and beautiful women in the history of song departed from this life. |
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