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Great Singers, Second Series - Malibran To Titiens by George T. (George Titus) Ferris
page 47 of 185 (25%)
of first-rate genius; her acting skillful, various, impassioned, her
singing pure, scientific, and enthusiastic. Her whole soul is wrapped
in her subject, yet she never for a moment oversteps the modesty of
nature." It was during this season that Mr. Chorley first heard her.
He writes in his "Musical Recollections" a vivid description of her
appearance in "Fidelio": "She was a pale woman. Her face, a thoroughly
German one, though plain, was pleasing from the intensity of expression
which her large features and deep, tender eyes conveyed. She had profuse
fair hair, the value of which she thoroughly understood, delighting in
moments of great emotion to fling it loose with the wild vehemence of
a Mænad. Her figure was superb, though full, and she rejoiced in its
display." He also speaks of "the inherent expressiveness of her voice
which made it more attractive on the stage than a more faultless organ."
Mme. Schröder-Devrient met a warm social welcome in London from the
family of the great pianist, Moscheles, to whom she was known of old.
Mme. Moscheles writes in her diary: "Our interesting guests at dinner
were the Haizingers, he the admirable tenor singer of whom the German
opera company here may well be proud, she pretty and agreeable as
ever; we had, too, our great Schröder and our greater Mendelssohn. The
conversation, of course, was animated, and the two ladies were in such
spirits that they not only told anecdotes, but accompanied them with
dramatic gestures; Schröder, when telling us how he (the hero of her
anecdote) drew his sword, flourished her knife in a threatening manner
toward Haizinger, and Mendelssohn whispered to me, 'I wonder what John
[the footman] thinks of such an English vivacity? To see the brandishing
of knives, and not know what it is all about! Only think!'" A comic
episode which occurred during the first performance of "Fidelio" is
also related by the same authority: "In that deeply tragic scene where
Mme. Schröder (_Fidelio_) has to give Haizinger (_Florestan_) a piece of
bread which she has kept hidden for him three days in the folds of her
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