her.--Her Prosperous Career and retirement from the Stage.--Last
Appearance in Paris for Mario's Benefit


MARIETTA ALBONI.

The Greatest of Contraltos.--Marietta Alboni's Early
Surroundings.--Rossini's Interest in her Career.--First Appearance on
the Operatic Stage.--Excitement produced in Germany by her Singing.--Her
Independence of Character.--Her Great Success in London.--Description
of her Voice and Person.--Concerts in Paris.--The Verdicts of the Great
French Critics.--Hector Berlioz on Alboni's Singing.--She appears in
Opera in Paris.--Strange Indifference of the Audience quickly turned to
Enthusiasm.--She competes favorably in London with Grisi, Persiani,
and Viardot.--Takes the Place of Jenny Lind as Prima Donna at Her
Majesty's.--She extends her Voice into the Soprano Register.--Performs
"Fides" in "Le Prophète."--Visit to America.--Retires from the Stage


JENNY LIND.

The Childhood of the "Swedish Nightingale."--Her First Musical
Instruction.--The Loss and Return of her Voice.--Jenny Lind's
Pupilage in Paris under Manuel Garcia.--She makes the Acquaintance of
Meyerbeer.--Great Sue-cess in Stockholm in "Robert le Diable."--Fredrika
Bremer and Hans Christian Andersen on the Young Singer.--Her _Début_
in Berlin.--Becomes Prima Donna at the Royal Theatre.--Beginning of
the Lind Enthusiasm that overran Europe.--She appears in Dresden in
Meyerbeer's New Opera, "Feldlager in Schliesen."--Offers throng in from
all the Leading Theatres of Europe.--The Grand _Furore_ in Every Part