Vienna to sing in England.--Description of Mlle. Titiens, her Voice,
and Artistic Style.--The Characters in which she was specially
eminent.--Opinions of the Critics.--Her Relative Standing in
the Operatic Profession.--Her Performances of _Semi-ramide_
and _Medea_.--Latter Years of her Career.--Her Artistic Tour in
America.--Her Death, and Estimate placed on her Genius




GREAT SINGERS, SECOND SERIES, MALIBRAN TO TITIENS.




MARIA FELICIA MALIBRAN.

The Childhood of Maria Garcia.--Her Father's Sternness and Severe
Discipline.--Her First Appearance as an Artist on the Operatic
Stage.--Her Genius and Power evident from the Beginning.--Anecdotes
of her Early Career.--Manuel Garcia's Operatic Enterprise in New
York.--Maria Garcia is inveigled into marrying M. Malibran.--Failure of
the Garcia Opera, and Maria's Separation from her Husband.--She
makes her _Début_ in Paris with Great Success.--Madame Malibran's
Characteristics as a Singer, a Genius, and a Woman.--Anecdotes of her
Generosity and Kindness.--She sings in a Great London Engagement.--Her
Eccentric and Daring Methods excite Severe Criticism.--Her Reckless
Expenditure of Strength in the Pursuit of her Profession or
Pleasures.--Madame Malibran's Attachment to De Bériot.--Anecdotes of
her Public and Private Career.--Malibran in Italy, where she becomes