PAULINE VIARDOT.

Vicissitudes of the Garcia Family.--Pauline Viardot's Early
Training.--Indications of her Musical Genius.--She becomes a Pupil
of Liszt on the Piano.--Pauline Garcia practically self-trained as a
Vocalist.--Her Remarkable Accomplishments.--Her First Appearance before
the Public with De Beriot in Concert.--She makes her _Début_ in London
as _Desdemona_.--Contemporary Opinions of her Powers.--Description of
Pauline Garcia's Voice and the Character of her Art.--The Originality
of her Genius.--Pauline Garcia marries M. Viardot, a Well-known
_Litterateur_.--A Tour through Southern Europe.--She creates a Distinct
Place for herself in the Musical Art.--Great Enthusiasm in Germany
over her Singing.--The Richness of her Art Resources.--Sketches of the
Tenors, Nourrit and Duprez, and of the Great Barytone, Ronconi.--Mine.
Viardot and the Music of Meyerbeer.--Her Creation of the Part of _Fides_
in "Le Prophète," the Crowning Work of a Great Career.--Retirement from
the Stage.--High Position in Private Life.--Connection with the French
Conservatoire.


I.

The genius of the Garcia family flowered not less in Mme. Malibran's
younger sister than in her own brilliant and admired self. Pauline, the
second daughter of Manuel Garcia, was thirteen years the junior of her
sister, and born at Paris, July 18, 1821. The child had for sponsors at
baptism the celebrated Ferdinand Paer, the composer, and the Princess
Pauline Prascovie Galitzin, a distinguished Russian lady, noted for her
musical amateurship, and the full name given was Michelle Ferdinandie