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On the Art of Writing - Lectures delivered in the University of Cambridge 1913-1914 by Sir Arthur Thomas Quiller-Couch
page 105 of 236 (44%)
Let us make a leap in time and contrast this with Tyndale and the
translators of our Bible, how they are able to make St Paul speak of
death:--

So when this corruptible shall have put on incorruption, and this
mortal shall have put on immortality, then shall be brought to pass
the saying that is written, Death is swallowed up in victory. O
death, where is thy sting? O grave, where is thy victory?

There you have something clean beyond what Malory or Berners could
compass: there you have a different kind of high moment--a high moment of
philosophising: there you have emotion impregnated with thought. It was
necessary that our English verse even after Chaucer, our English prose
after Malory and Berners, should overcome this most difficult gap (which
stands for a real intellectual difference) if it aspired to be what
to-day it is--a language of the first class, comparable with Greek and
certainly no whit inferior to Latin or French.

* * * * *

Let us leave prose for a moment, and see how Verse threw its bridge over
the gap. If you would hear the note of Chaucer at its deepest, you will
find it in the famous exquisite lines of the Prioress' Prologue:--

O moder mayde! O maydë moder fre!
O bush unbrent, brenning in Moyses' sight!

in the complaint of Troilus, in the rapture of Griselda restored to her
children:--

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