BERNHARDI).--VII. CLARINET--(HENRY KAISER).--VIII. BASS
CLARINET--(HENRY KAISER).--IX. FRENCH HORN--(CARL PIEPER).--X.
TROMBONE--(J. PFEIFFENSCHNEIDER).--XI. BASS TUBA--(ANTON
REITER).--XII. THE CONDUCTOR'S SCORE. _Page 325_

INDEX _Page 351_




How to Listen to Music




I

_Introduction_


[Sidenote: _The book's appeal._]

This book has a purpose, which is as simple as it is plain; and an
unpretentious scope. It does not aim to edify either the musical
professor or the musical scholar. It comes into the presence of the
musical student with all becoming modesty. Its business is with those
who love music and present themselves for its gracious ministrations
in Concert-Room and Opera House, but have not studied it as professors
and scholars are supposed to study. It is not for the careless unless
they be willing to inquire whether it might not be well to yield the