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Cousin Betty by Honoré de Balzac
page 297 of 616 (48%)
service in the German style of the sixteenth century; the romantic
style: foliage twined with insects, sleeping children, newly invented
monsters, chimeras--real chimeras, such as we dream of!--I see it all!
It will be undercut, light, and yet crowded. Chanor was quite amazed.
--And I wanted some encouragement, for the last article on
Montcornet's monument had been crushing."

At a moment in the course of the day when Lisbeth and Wenceslas were
left together, the artist agreed to go on the morrow to see Madame
Marneffe--he either would win his wife's consent, or he would go
without telling her.



Valerie, informed the same evening of this success, insisted that
Hulot should go to invite Stidmann, Claude Vignon, and Steinbock to
dinner; for she was beginning to tyrannize over him as women of that
type tyrannize over old men, who trot round town, and go to make
interest with every one who is necessary to the interests or the
vanity of their task-mistress.

Next evening Valerie armed herself for conquest by making such a
toilet as a Frenchwoman can devise when she wishes to make the most of
herself. She studied her appearance in this great work as a man going
out to fight a duel practises his feints and lunges. Not a speck, not
a wrinkle was to be seen. Valerie was at her whitest, her softest, her
sweetest. And certain little "patches" attracted the eye.

It is commonly supposed that the patch of the eighteenth century is
out of date or out of fashion; that is a mistake. In these days women,
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